The Step Pyramid of Djoser
The development of architectural form took a bold leap forward in the 3rd dynasty with the appearance of the pyramid complex of Djoser. This spacious compound contains the world’s first monumental buildings in stone. This groundbreaking funerary complex included a sophisticated collection of elegantly designed hallways, shrines and open courtyards, all built from stone. The scale of Djoser’s project was a strong example of the evolution of Egypt as a unified state – as well as enforcing the king’s control over that state. The centerpiece of this tour de force would be the tomb of the king – the Step Pyramid. This was a radically new style of building and the foundation for the transition from royal mastaba-tomb to the true pyramid forms, which appeared in the 4th dynasty.
The design of Djoser’s complex was a dynamic synthesis of architectural form and ritual function. Many of the buildings, including the subterranean burial apartments, were intended to imitate various aspects of the royal palace at Memphis. Not only did the royal funerary monuments act as a link between this world and the next – but they were seen as eternal residences to be enjoyed by the king during that afterlife. Buildings inspired by ceremony would play an integral role in the deification of the deceased king. Within these halls and courts, Djoser could participate in the solemn rituals associated with his kingship – enabling him to complete his divine transformation and claim his rightful seat amongst the gods.
Date of Construction: 3rd Dynasty, reign of Djoser (c. 2584 – 2565 B.C.)
Highlights:
Step Pyramid of Djoser
Grand colonnaded entrance hall
Central Court
Serdab (with magnificent replica statue of Djoser)
Festival Court
- Architectural Form and Content during the 3rd Dynasty - 3:03
- The Enclosure Walls and Entrance Hall - 2:00
- The South Tomb and the Central Court - 2:29
- The Step Pyramid - 4:00
- The Serdab - 2:29
- The Festival Court - 2:23
- The North and South Buildings - 0:59
- The Origins of the Pyramid - 1:21